On Hands, Tools, and the Value of Work

I usually work alone when I work on my bicycles, in part by design because I enjoy the quiet, and in part because it’s not usually a job that requires two people. As a result, I have never put much thought into how I perform the work, or why I do certain things the way I do. I’ve learned to work – or I should say, am learning to work – in the way that best suites me. It’s a process that demands little active self-reflection, just trial and error. And error. And error.

Recently, however, I have been helping a friend work on some of his old bikes, and I find that my work style is under some scrutiny. I’ve been told that I am very “creative” and “inventive” in my solutions to problems, and I have been gently critiqued for the fact that I don’t, as a general rule, use power tools.

While I would like to agree that I am creative in my problem-solving skills, I rather think that my way of working is, in fact, so simple as to be uninteresting, and that my creative problem solving is merely a function of the fact that my tools are often either simple or improvised out of necessity, rather than any great degree of creativity or inventiveness on my part. I can’t afford a lot of expensive or specialized tools, so I only buy tools when I absolutely need them, and I’m always looking for ways to make one tool perform multiple functions.

As I’ve mulled over my friend’s observations and my own reactions to them over the past few weeks, I’ve realized that my way of working is due in large part to watching my father work, and from spending a great deal of time knocking about in my grandfather’s garage. From my father I learned patience and swear words (not mutually exclusive, mind you), and the truism that there is always more than one solution to a problem. From my grandfather’s garage (sans grandfather, who died when I was very young) I learned the value of disorganization, organization, improvisation, and thoughtful planning, all mashed together into a mélange of competence, experimentation, thrift, and precision.

Also from my grandfather, or rather his tools, I learned to be distrustful of anything I don’t power myself. All of the electrical gadgets or power tools in my grandfather’s garage were broken. Motors had burned out, circuits had fried, wires had corroded, switches had broken, etc. All of the hand-powered tools, however, were all still in perfect order. Hammer and axe handles had been replaced, wooden sheaths had been fashioned for handsaws to protect their teeth, moving mechanisms had been carefully oiled and wrapped in rags or plastic bags for storage.

As a kid, I had my own set of hand tools, which I employed on any number of non-threatening and largely non-functional projects, most of which ended in frustration (although I now know how valuable this was). Now as I work on my bicycles, I find myself able to judge the stubbornness of a stuck bolt or screw by applying pressure in just the right way with a wrench or screwdriver. I rarely strip a bolt or screw, and in fact, I find it much easier to ruin a project with a power tool than a hand tool. I can usually tell when I need to let up the pressure, and I can also usually tell when I’m going to need to improvise a solution beyond the simple tool I have in my hand. I have a pretty good feel for when the hacksaw is really biting, and I can usually tell when the file or rasp needs a little more pressure on the outside edge.

Does all this make me a master project-doer? Hardly. But whether it’s bikes or some other project, I know that I feel more connected to my work because I use the strength of my hands and arms, and the leverage of my elbows and shoulders, to accomplish it. And if I can improvise a solution without buying another tool, I won’t deny that I do feel some small sense of pride, and the impression that maybe my grandfather would have approved.

As I mash my way through repairs and restorations, and even basic maintenance on my bicycles, I am constantly grateful for the lessons I’ve absorbed, the mistakes I’ve made, and the modest successes I’ve earned with only my two hands and my small collection of tools. It’s further proof for me that the bicycle, with its relatively simple design, ease of maintenance, and accessibility is not only a machine to move our bodies through space, but a mechanism by which we can move ourselves in perhaps even more fundamental ways.